, attached to 1986-04-25

Review by cnlforbin

cnlforbin This particular show might not always get the spotlight it deserves, but let me tell you, it's an absolute hidden gem. In my book, this performance stands out as one of Phish's finest from their early days. What really strikes me is how they had all settled into their groove with the songs. But what truly makes this show shine? Those seamless transitions that feel smoother than butter.

Right from the opening notes of "Bag," there's this slow and groovy vibe that immediately hooks you. Mike's bass steps up to the front, asserting its presence in a way that sets the tone. They take their time, letting the music breathe and evolve before sliding effortlessly into "Dear Mrs. Regan." Kudos to them for nailing that transition so flawlessly.

Now, let's talk about the playful moments in "Quinn." Sure, they let their goofy side show, but what they manage to do is turn that energy into a jam that flows seamlessly into "Slave." It's like watching a masterful puzzle coming together in real time.

"Have Mercy" is a standout too. Having had a few live renditions under their belt at this point, you can practically feel their comfort with the song's vibe. And those vocals? Trey approaches them with such tenderness that you can't help but be drawn in.

And the icing on the cake? A killer "YEM." Yeah, that's right. A noteworthy aspect is the added guitar layer on top of it. You can't help but wonder about those rumors - did Jeff leave because the complexity of the songs was becoming too demanding? Food for thought.

Speaking of Jeff, this show truly showcases his integration into the band. He doesn't feel like the odd one out anymore. In hindsight, he had often seemed a bit constrained, a Phish amidst unfamiliar waters. But not on this night. This performance represents his apex with the band - he's in his element, harmonizing like an old friend.

In fact, it's not just Jeff; the entire band exudes a sense of comfort. That's precisely what makes this show a standout from the early days. Even "Alumni Blues," a familiar tune in these early sets, bursts with energy. Only bummer? It gets cut off at the end.

It's a reminder of how fortunate we are to live in an era where shows like this are immortalized. This kind of brilliance deserves to be preserved for posterity, and in that sense, we're truly blessed.


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